Carolyn Barnes

Tina Stefanou’s exhibition You Can’t See Speed draws on her Greek heritage to present a richly layered symbolic exploration of the urban fringe.

Image Economies at the Monash University Museum of Art shows how technology changes our relationship to representation – and to ourselves.

Looking back at the visual art highlights of 2024.

The retrospective Tony Clark: Unsculpted reveals the artist’s enduring fascination with how taste has shaped the history of art.

The first Melbourne Sculpture Biennale – held in a historic house in Kew – was a welcome survey of contemporary Australian practice.

Kerrie Poliness’s latest series of geometrical abstractions reveals ecological vulnerabilities while proposing new ways of transferring knowledge.

Geelong Gallery’s thoughtfully curated exhibition of prints by Margaret Preston and Cressida Campbell challenges the inferior status of domestic art – especially if it’s by women.

The Peter Tyndall retrospective at Buxton Contemporary reveals an artist whose thought and work are at the centre of contemporary Australian art.

A new exhibition at Anna Schwartz Gallery shows how Nixon’s experimental practice developed over five decades.