Poetry
Three poems
Graphology Causality 72
If woken on a low-sun day
snakes here being deadlier
will fight their venom
to take control of the light
they feel unakin too. Such
myths of purity and sacrifice,
such residues of dragon slaying,
coats of arms and concentrations
of wealth, such mosaics in private
bathrooms in mansions along the river
where bush once stood. This
is the nature of colonial cities,
and when Xenophon stood on the coast
with the less-than-10,000 soldiers
from the march and warfare across
“Asia Minor”, his anabasis always
searched for the sea, for the routes
to “home”, to wealth and adoration.
So the white worm lays in Old World
earth as older lands are excoriated
of their snakes, and antivenom
is mixed with material gain
and each mansion’s security
system states the bounds of a lair,
Ken Russell showing on the big screen
with all the curiosity of a low-res
unrestored comedy of manners.
Beneath, the water table is drained
and caves crumble, roots dry out.
Consolations 43
White ibis unpicks lawn seams
on slope from road with mansions
down to river where trees fret
if they rise even slightly higher
than views from balconies. These
jitters of an infernal naturalism.
After so many hours of over-reading
the river of characters, different
notes strung along the same lines,
to discuss vertigo with the ibis
is an act of respect and gentleness.
There’s a steeper curve to the world
than its beak – decoder and ruler
of the astrolabe, stepping from rete
to tympan across the projection
and accusations of gatekeepers.
But I work during the day with a star-
pointer, and, over an undercast sky,
feel we have plenty to say to each other.
I am mostly in the ecliptic, spinning
from the street layout, from utilities
and waste facilities. Ibis know properties
of water beyond my navigations, hour
by hour, deriving each moment’s clarity.
Pale Blue Fragments
On the orange-brown gravel
fragments of an intense pale
blue – all
facing upwards
other than one splinter which shows
the yolked underwhite of eggshell
interiority. But blue-
wise, a paleness
so over-tuned under the grey branch
and “xanadu” leaf swatches that swayed
violently during
high winds
that it looks a fake – of colourants
in plastic – on which the modes
of light absorption
or reflection
might be modelled. Related
or antithetical to blue sky
clouding over,
the contrasts
intensify, and those small puzzle
pieces of two silvereye eggs
speak sadness
with brilliance,
countering explosions from Bindoon
Military Training Area which shake
the district
to its colours, its crux.
This article was first published in the print edition of The Saturday Paper on September 6, 2025 as "Three poems".
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